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DALL·E 2023-06-12 17.37.45 - impressionist pitch black sky with half moon.png

poems

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DALL·E 2023-06-12 17.37.45 - impressionist pitch black sky with half moon.png

b  i  k  i  n  i

ridhi chaturvedi

rajiv roy

​

 

my nail paint is still

                            wet and my nails

                        itch with coats

                        hiding coats of

                         lurid green and

                     crimson and

        pain.

you look wonderful

                          sweetheart as i

                                 scratch my stretch

                        marks of silly

                        and unwieldy

                       adolescence.

send me your pair

                                   of fine scissors that

                               cut such thin and

                                         shimmering ribbons of

                                        flesh from my vacuous

            heart.

my lips kohled my

                    feet cold i

                             must shed this

                                  pubescent flab all

                                     trimmings of naïve

                    girlhood.

as years pass a

                               shrivelled i sick

                                     bulimic will wear a

                              bikini with my

                        socks on in

                                         your muscly, smutty

                   dreams.

nowadays

rumpa das


nowadays, 
i don't go anywhere near where you live -
spring is elsewhere. 
the flowers in your garden have wilted,
creepers seek out fresh pastures,
they want to live and foster
away from the putrefying aura
your late love spreads. 

my hesitant plant-heart
fearful of renewed assault,
however, has shown grit.
out of heaps of deep damp memories 
it has blossomed forth
Into confident young greenery. 
fresh wafts of breeze blow
in my mind, and show -
how old love and betrayal 
can be great fodder for a brave new life.

 

DALL·E 2023-06-12 18.21.22 - chalk and pastel painting of wilted red roses against a black
 

 

the little one

n i s h i   p u l u g u r t h a 

 
She looks at things around
all the while in a conversation
with the green leaf
that red bunch of flowers
that she pulls, tears

the upturned bucket in the corner
the mop that is hidden
As she gets to work
till discovered
and then a new conversation begins

The electric bell that doesn’t work
That she keeps pressing
The talking that goes on
And she gets angry

She decides to get something else
looks here and there
Does she miss that voice?
She looks out for a while

A crumpled plastic bottle
a few torn pages
a few crumbs around
She looks inside that room

The empty room.

empty room in the style of pablo picasso_edited.jpg

short story

THE SCREAM

​

ankush roy

 

Once upon a time, in a small town nestled in the heart of America, there lived a young man named Edvard. He was an artist, known for his peculiar paintings that portrayed the horrors of the world in a way that was both captivating and frightening. People often referred to him as the "painter of screams". He was a man with a troubled past, haunted by memories of his childhood that he could never quite shake. Despite his success, he felt incomplete and yearned for a deeper sense of purpose.

 

Edvard lived in a secluded cottage on the outskirts of the town, surrounded by dense forests and rolling hills. He was a recluse, who kept to himself and rarely ventured into the town. The villagers whispered amongst themselves, speculating about the strange happenings that surrounded the artist and his home. Some even whispered that he was a sorcerer, capable of calling forth the demons of the night.
 

One day, as Edvard was wandering through the forests he stumbled upon an ancient manuscript, yellow with age. He was strangely drawn towards it, he though he heard the manuscript whisper to him in a mysterious voice. It spoke of a powerful artifact, a painting known as “The Scream”, that was said to have the ability to bring one's deepest fears to life.

In his hands the manuscript appeared to mould and contour grotesquely. Edward dropped the withered book in and watch in horror it contour to form a dark figure. The figure was shrouded in a cloak of shadows, and its eyes were two gleaming orbs that seemed to glow in the dark. Despite his fear, Edvard was drawn to the figure, and as he approached, the figure spoke to him.

 

"Painter of screams, I have seen your work. I have come to offer you a gift," the figure said, its voice like a whisper on the wind.
 

And so, the figure offered Edvard a canvas, a canvas unlike any other he had seen before. The canvas seemed to pulse with an otherworldly energy, and as Edvard gazed upon it, he felt a wave of fear wash over him. The figure told him to paint what he saw, to capture the fear that lived within his heart.
 

And so, Edvard began to paint. He worked day and night, driven by a force that was beyond his control. As he worked, the painting seemed to come to life, the shadows shifting and twisting, the eyes gazing out at him with a malevolent gleam.
 

Days turned into weeks, and weeks turned into months, and still, Edvard worked on the painting. He became a shell of his former self, haunted by the fear that lived within the canvas. His friends and family began to fear for his sanity, but still, he painted, driven by an obsession that was beyond his control.
 

Finally, the painting was complete. Edvard stepped back, gazing upon his creation with a sense of horror. The painting was a representation of all the fear and terror that lived within him, and as he looked upon it, he felt the fear grip his heart.
 

And then, the painting spoke to him.
 

"Painter of screams, you have done well. But your work is not yet finished. I have one final task for you." And with those words, the painting reached out and pulled Edvard into its dark embrace. He was never seen again, but the painting remained, a testament to the horrors that lurked within the heart of the artist known as the "painter of screams".
 

Years passed, and the painting remained, its dark energy pulsing with malevolent power. People whispered about the painting, speaking of the strange happenings that surrounded it. Some even whispered that the painting was cursed, that it held the power to unleash the fear that lived within the hearts of all who gazed upon it.
 

And so, the painting remained, a warning to all who would dare to delve too deeply into the horrors of the world. For within its dark embrace lay the screaming terror of the artist known as the "painter of screams".

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photography

 

face painting during gajan festival

rupa bhattacharyya

 

 

Before the English arrived in Bengal, the celebration of the Charak Festival, also known as Charak Gajan, took place with great verve and color. In Kaliprasanna Singha’s "Hootum Pyanchar Naksha," we find an account of this people's festival involving pantomime, daring rituals, and a great variety of face painting. Even today, the celebration takes place near 'Paila Baishakh,' the first day of the Bengali calendar. Face painting remains one of the most prominent features of the Gajan Festival, with devotees painting their faces and dressing as gods or mythological characters.

 

For the past two years, I have been traveling to different places in the Purba Bardhaman district to capture compelling glimpses of devotees dressed as 'Gajan Sanyashi' or 'Bohurupi.' Both professional artists and friends and family members carefully deck individual participants for the great show with painted faces. I am particularly interested in the mix of everyday reality with the extraordinary image of made-up faces as a unique form of mingled life and culture.

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